Move over, Andres Serrano and Karen Finley: Here comes blood-smearing Yale art student Aliza Shvarts; Update: Video link added; Update: Sick joke
It sounds like the sickest kind of Onion parody and perhaps part of it will turn out to be fabrication, but there’s no question that Yale art student Aliza Shvarts is a budding left-wing agent provocateur in the grand tradition of piss-peddling, NEA-funded radical Andres Serrano and chocolate-smearing, NEA-sponsored moonbat performer Karen Finley.
The Yale Daily News has the scoop–and assuming it’s not a belated April Fools’ joke, prepare for some significant donor backlash:
Art major Aliza Shvarts ’08 wants to make a statement.
Beginning next Tuesday, Shvarts will be displaying her senior art project, a documentation of a nine-month process during which she artificially inseminated herself “as often as possible” while periodically taking abortifacient drugs to induce miscarriages. Her exhibition will feature video recordings of these forced miscarriages as well as preserved collections of the blood from the process.
The goal in creating the art exhibition, Shvarts said, was to spark conversation and debate on the relationship between art and the human body. But her project has already provoked more than just debate, inciting, for instance, outcry at a forum for fellow senior art majors held last week. And when told about Shvarts’ project, students on both ends of the abortion debate have expressed shock . saying the project does everything from violate moral code to trivialize abortion.
But Shvarts insists her concept was not designed for “shock value.”
“I hope it inspires some sort of discourse,” Shvarts said. “Sure, some people will be upset with the message and will not agree with it, but it’s not the intention of the piece to scandalize anyone.”
Oh, heavens, no. I’m sure it’s merely intended to demonstrate her profound respect for human life!
The “fabricators,” or donors, of the sperm were not paid for their services, but Shvarts required them to periodically take tests for sexually transmitted diseases. She said she was not concerned about any medical effects the forced miscarriages may have had on her body. The abortifacient drugs she took were legal and herbal, she said, and she did not feel the need to consult a doctor about her repeated miscarriages.
Shvarts declined to specify the number of sperm donors she used, as well as the number of times she inseminated herself…
…”I believe strongly that art should be a medium for politics and ideologies, not just a commodity,” Shvarts said. “I think that I’m creating a project that lives up to the standard of what art is supposed to be.”
I’m sure Jose Serrano and Karen Finley agree.
Shvarts emphasized that she is not ashamed of her exhibition, and she has become increasingly comfortable discussing her miscarriage experiences with her peers.
“It was a private and personal endeavor, but also a transparent one for the most part,” Shvarts said. “This isn’t something I’ve been hiding.”
It’s so “private and personal,” she’ll reportedly be displaying blood from the miscarriages in a huge box covered with the fluids mixed with Vaseline, topped off with videos of her expelling the blood:
The display of Schvarts’ project will feature a large cube suspended from the ceiling of a room in the gallery of Green Hall. Schvarts will wrap hundreds of feet of plastic sheeting around this cube; lined between layers of the sheeting will be the blood from Schvarts’ self-induced miscarriages mixed with Vaseline in order to prevent the blood from drying and to extend the blood throughout the plastic sheeting.
Schvarts will then project recorded videos onto the four sides of the cube. These videos, captured on a VHS camcorder, will show her experiencing miscarriages in her bathrooom tub, she said. Similar videos will be projected onto the walls of the room.
Here’s the Yale School of Art website where photos of the undergrad senior art exhibits are featured.
Allahpundit thinks “it can’t be real. It’s too broadly parodic of too many things: the trivialization of abortion, modern art’s fascination with effluvium, amoral academic culture justified as a form of faux-profound “consciousness-raising,” etc etc etc. All that’s missing is some sort of representation of Christ as a gay Nazi.” Hey, I didn’t think Sex Week at Yale could be real, either. But it is.
Photo source: Soapbox
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